Symphonic Black Metal: Hellgarden’s “Rise of the Beast”
Chilean symphonic black metal band Hellgarden has unveiled their latest opus, “Rise of the Beast“, a dark and dynamic album released under the American label Brutal Records. With lyrics entirely in English, this release showcases the band’s technical mastery and atmospheric depth, marking a significant milestone in their musical journey.
A Haunting Prelude
The album opens with “Intro (The Pact)”, a one-minute atmospheric track that sets a chilling tone for the eight powerful songs that follow. This haunting prelude draws listeners into the dark narrative that unfolds across the album.
Impactful Singles and Melodic Surprises
“Blackwolf”, the album’s lead single, delivers a ferocious combination of driving riffs, relentless drumming, atmospheric keyboards, and Daniel Iturra’s distinctive raspy vocals. The intensity of this track establishes it as a standout piece.
“Marquis of Snakes” introduces a more melodic side, beginning with a gentle and ethereal tone before erupting into a full-force black metal assault. A spoken-word section towards the end offers a striking contrast, seamlessly leading into the next sonic storm.
Atmospheric and Thematic Depth
“The Cross in Ashes” incorporates horns, keyboards, and choirs to create a richly textured and darkly melodic soundscape. The interplay between instruments and vocals enhances its immersive atmosphere, showcasing Hellgarden’s ability to balance aggression with symphonic grandeur.
The thematic centerpiece of the album, “When Witches Burn”, delves into the harrowing history of witch trials and religious persecution. Clocking in as the album’s longest track, it offers a rollercoaster of emotions and dynamic shifts, with keyboards and vocal harmonies adding depth to this powerful narrative.
Moments of Respite and Virtuosity
At the midpoint, “Interludio (Sigh for Pain)” provides a moment of introspection, a brief respite amidst the album’s relentless energy. This interlude sets the stage for the explosive second half.
“Convocation” begins with a slow, melodic intro that builds into one of the album’s most intense and rhythmic performances. Featuring masterful guitar solos, this track highlights the band’s technical virtuosity and cohesive energy.
Dynamic Final Acts
The penultimate track, “Storm’s Knights,” lives up to its name, opening with the sounds of thunder and lightning. Alternating between slow, brooding sections and rapid, aggressive passages, this song showcases the band’s ability to weave dynamic shifts seamlessly.
The album concludes with “The Last Dance in the Mist”, a slower yet captivating piece that emphasizes Hellgarden’s symphonic and melodic capabilities. The duet-style vocal delivery, paired with prominent guitar work, brings the album to a haunting and satisfying close.
Hellgarden’s Impressive Debut
With Daniel Iturra on vocals, Francisco Gálvez and Kako Poblete on guitars, Karlos Mondaca on bass, Jaime Acuña on keyboards, and Michael Ríos on drums, Hellgarden has made a formidable debut on Brutal Records.
“Rise of the Beast” solidifies the band’s place in the symphonic black metal scene, blending technical precision, thematic depth, and atmospheric complexity. This release marks a powerful step forward for Hellgarden, earning them a well-deserved place among metal’s rising forces.
